The Gentlemen Season 2

Five stars for a gangster comedy that keeps its pace better than its characters keep their promises.

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The Gentlemen Season 2

Eddie no longer wants out of the criminal business. He wants more of it. The Gentlemen season 2 turns that appetite into the engine of a fast, sharply played stretch of gangster entertainment that only loses a little of its grip in the final stretch.

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Disclaimer: Apropos Magazine received access or a review copy. As always, we share our own impressions — unfiltered.

Six stars

The first thing that strikes me is how little The Gentlemen wants to waste my time. The lines arrive with an ulterior motive, the looks carry a threat, and the rhythm feels as if someone has poured scalding espresso straight into the editing room. The series is not afraid to be entertaining. By now, that’s a quality we ought to be able to mention without apologising.

The second season also shifts Eddie’s starting point. He is no longer just the aristocrat who has stumbled into a criminal business and is trying to limit the damage. He has developed a taste for it. Together with Susie Glass, he expands the operation to Italy, while her father Bobby remains a force they cannot simply sidestep. That is also the conflict Netflix highlights in its presentation of the season: ambition grows faster than trust.

Eddie no longer wants to find the exit

Theo James makes Eddie interesting precisely where his self-confidence becomes a little too comfortable. He still has the polished exterior, but now it has to do more than hide the panic. James plays him with a tension between control and vulnerability that gives the role more to work with than a good suit.

That is a better engine than yet another reluctant duke in trouble. When Eddie wants to move forward himself, he can no longer explain every decision by saying others forced his hand. Success starts to look like a character flaw. And that is usually more entertaining than a person who has merely been unlucky.

A well-dressed woman stands by a black car with a phone in her hand.
Photo: Netflix.

A concrete example of that new ambition is the connection to Lord Hawthorne, played by Hugh Bonneville. He is a member of the House of Lords and can open the door to respectable power, but only on his own terms. Netflix describes him as both a possible ally and an opponent for Eddie. It is a strong starting point for the series’ blend of politeness and danger: the respectable world does not necessarily offer better people. It just has different entry requirements.

That also gives Eddie’s relationship with Susie a more tangible tension. They may need each other without wanting the same thing. The more Eddie tries to become a power in his own right, the less obvious it becomes that their shared business is also a shared project.

Speed is not just decoration

But it is not a deep class analysis that makes me click on the next episode. It is the craft. The series has a sure grasp of how a conversation can be both funny and tense without anyone needing to explain the difference. You listen for the insult beneath the politeness and wait to see who loses their grip first.

The rest of the ensemble matters just as much to that energy. It never feels like people standing around waiting to deliver the next piece of plot information. They arrive with quirks, intent, and the irritating possibility of ruining something that was just about to work.

There are plenty of series that mistake gravity for speaking softly in dark rooms. The Gentlemen knows that timing is an aesthetic too. A pause has to do something. A line has to shift the relationship between the people in the scene. Otherwise, it is just expensive decor.

Two men in classic clothing stand facing each other by a lake.
Photo: Netflix.

The final stretch loses a little of its bite

That does not mean everything is perfectly tight. The first six episodes have a momentum that the final part of the season does not quite sustain. When more considerations and connections have to be gathered together, the machinery becomes more visible. The series still has plenty in reserve, but it no longer makes the next episode feel quite so inevitable.

That is my main reservation. Not that the series suddenly becomes bad, but that it has taught me to expect a precision the final stretch does not consistently deliver. That slight slowdown is noticeable precisely because everything else has gone down so easily.

Even so, five stars is the right place to land. The Gentlemen season 2 is fast, well acted, and confident enough in its own style not to stand around embarrassed by the pleasure of it. I devoured the first six episodes. The last ones do not change the excitement, but they keep it from becoming unconditional.

Five out of six stars. Gangster entertainment with cufflinks, ambition, and a slightly less elegant final sprint.

Series facts: The Gentlemen season 2 premiered on Netflix on 3 September 2026. See Netflix’s official season information.

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Casper Fiil

Reviewer & writer

Casper Fiil holds a Master’s degree in Economics and Business Administration from Copenhagen Business School and has spent over twenty years working at the intersection of music and cultural storytelling. With an analytical eye and an uncompromising sense of aesthetics, he has captured musical movements long before they made it onto playlists. Casper writes about the things that don’t necessarily make noise — but stay with you.

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