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Sylosis (Copenhell): Flames, fury and a sonic uppercut to the chest

It sounds like a sexually transmitted disease — and it felt like one too. Sylosis burned Copenhell down with surgical brutality.

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Sylosis (Copenhell): Flames, fury and a sonic uppercut to the chest

If your band sounds like something you’d need penicillin for, you’re already off to a good start. Sylosis is a name that screams rash and shingles — and it turns out to be a kind of quality stamp.

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Disclaimer: Apropos Magazine received access or a review copy. As always, we share our own impressions — unfiltered.

Six stars

Right from the first song, the flames came. Big, sweaty pillars of fire shooting up from the edge of the stage as if hell itself had been issued a technician’s wristband. The crowd was in it immediately. No warm-up. Straight into the mosh pit, straight into the panic.

Sylosis play thrash with surgical precision. Not that nostalgic stadium metal where you stand there with a draft beer saying, “I saw them in ’94” — this is metal that wants something from you. Metal that wants to rip you open and pour molten steel into the wound. And it succeeded.

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Josh Middleton looked like a man who had been furious for more than a decade and had finally been given the green light to let it out for 45 minutes. His vocals were so angry they could have scared a middle manager into silence, and his guitar work was almost offensively clean. Not because it sounded pretty — but because it sounded right.

Heavy metal is not a phase. It’s a way of life,” he shouted at one point. And you know what? I believed him. Not because it sounded like a funny T-shirt slogan, but because it came out with that grave, rusted seriousness you only get from people who have spent more money on amplifiers than on holidays.

The great thing about Sylosis is that they don’t try to be more than they are. They’re not on TikTok. They’re not ironic. They’re not here to smile for the camera. They’re here to smash Copenhell — and then move on to the next city and do it again.

Reflection:

Some concerts change you. Others confirm you. Sylosis did the latter. They confirmed that thrash is still alive. That anger still has value. That metal can still be beautiful precisely because it isn’t trying to be. And yes — that it’s perfectly fine if it hurts a little the next day.

Frederik Emil

Editor-in-chief

Frederik Kragh is Editor-in-Chief of Apropos Magazine and a graduate of the Danish School of Media and Journalism. He has worked with strategy and communication across finance, culture and international tech. As a writer, he balances reflection and irony with a sharp eye for contemporary taste, media and self-perception.